Rusty Shackle's Art Tips and Tricks
MSPro Brush Pen Tool Tonal Shading.

Hey all!

Wanted to drop a quick tutorial on ya.  Been doing this technique quite a bit lately - it’s an easy way to apply tonal shading while still in Manga Studio without cutting and pasting computones.

Here is a loose approximation of my workspace area and the layers I use.  As usual, I keeps it minimal.  The current hidden layer is my pencils, the ink is all of the black line art you see, and the tones are, well, the tones.

A lot of times in photoshop I’ll add a multiply layer over my colors and lineart and add a pure grey shadow stroke where appropriate, but this is the same idea for use with minimal colors.  The trick is to adjust the settings on the Brush Pen tool shown above.  I have it a higher size since my tablet pressure is pretty generous, but play around with the settings!  The opacity is the level of darkness you’ll lay down, anything under 70% will have that tonal-computone look that’s not quite ben-day dots but close.

You can also adjust the ink amount, the percentage for what it was set at is written above.  You can get some nice scratchy lines out of it this way, plus you can edit the brush shape too.  Makes shading go a bit easier in my experience.

My Double Dragon piece was the first one I did this with, it had WAY more techniques and also had some CompuTones laid over top for additional effect.  I DO NOT recommend this technique if you do a substantial amount of color holding, but if you do, here’s a trick.

when it’s time to export your image for use in photoshop - go to the file settings and hit the “settings” button.  Change it to keep layer structure for output, and allow up to 5 layers.  This will keep the layers as is (note you will need to delete the extra ALPHA channel before saving in photoshop as a jpg).  You can’t use my macro for line art preparation as that is made for a single layer BMP image, but this method actually works fine with this.  On the Maximum Carnage red variant, all I did was keep the black lineart as is, and adust the tonal layer’s hue/saturaion to where I wanted it.

Go experiment!  Modify!  Kit-Bash and make your own methods with this!

eyecager:

So 0033/Red Ink Teacher has been updating with some more great sheets of hands and feet.

These are amazing to study from since he breaks down the forms pretty well and I guarantee after doing a few studies of their feet or hands you pick up really quick on how to break them down yourself to suit your needs. When all I owe is cleared away definitely want to do a long series of studies of his after I acquire some paintbrushes and ink from here.

coffeeandcockatiels:

tutorialsforartists:

toramiyo:

Some great and simple tutorials from DerSketchie on DeviantArt


They have more tutorials in their Gallery so check them out!

<complete set>

Some pretty good stuff.

sodakick:

whaatnext:

the big list of pixel art tutorials by pixelprospector

pixel art tutorials

pixel art inspiration
pixel art forums
freelance guide
graphic style analysis
tutorials about glowy graphics

I need to look through thiiiiiiiiiiiiiiis. And so do you. You know who you are. >:(

Con supplies

Hey folks!  I get asked fairly frequently about what supplies I take with me to conventions. I try and keep it as minimal as possible, and almost make a game out of getting it lower and lower.  Here’s what I recommend, tailor it to your needs!

1 - a backpack - really anything will do, this was a snazzy one I had gifted to me - I usually carry protein bars and other non-perishables because I hate paying $6 for a hot dog and also hate leaving my table unattended.

2 - business cards - these are a pretty basic thing, but people who may be on the fence (or you are out of stock of something) NEED a way to get in touch w/you after a con.  Plus it’s great for people who can’t get to you because you’re assisting someone else.

Read More

Here’s a handy size guide for conventional handguns I saw Jordan Witt reblog!  I also recommend for non-net options having an issue or 2 of Guns And Ammo or something similar.  Or hell, some games have viewable 3-d models of each weapon like Metal Gear Solid:Peace Walker that you can change to any possible angle!

jumpingjacktrash:

adriofthedead:

pixiepunch:

aussied:

I needed this for my last project! D:< Ughhhhhhh

Sweet! Really good ref to figure out the size of certain guns.

Reblobbing for future reference. I’m shit at drawing guns ;_;

oh my god yes thank you yes yes thank you

it’s absurd how hard it is to find this kind of ref. and it’s no good just watching action movies and pausing them to grab screencaps, i always end up watching the movie. ‘>_>

Time management

So I got my first question today from Ryan Dunlavey (Action Philosophers, The Comic Book History of Comics, Dirt Candy)

   

Keeping in mind the fact that since I first interacted with him as a fellow Covered artist, he has had 2 graphic novels come out and I’m too lazy to do a full comic.  

Honestly, I’m not even sure how I do it.  Let me give you an example of a typical day - 

I work from 9 to 5:30 monday through friday and we have a one year old son.  So around 6 AM he gets up, which means I get up then too.   This part of the daily routine is not exciting, and really, neither is the work day itself.  Weekends are pretty filled with family activities or other chores, so my available drawing time is VERY minimal on these days.  So I get most of my schmoozing and joking on twitter done via a smartphone during the day, and send e-mails if I need to, which is F’N AWESOME on a phone service that gets one bar of reception in this particular building.  But I do have one thing that helps with art productivity - my to-do list staring right at me -

I can sort of keep my mind sane knowing what I need to do, and can kinda visualize or mentally prepare images (or even sketch up thumbnails on post-it notes) this way.  I list benchmarks for myself, P-I-C-Copy for Pencils/Inks/Coloring and Copy (if needed) so I know where I’m at and to motivate myself.

After dinner and other family stuff is done and the kiddo winds down, it’s about 9:30 in the evening and it’s FINALLY drawing time.  I can usually go for about an hour and a half or so, but I usually try and bring it down by watching a 1/2 hour of a ep of Ultraseven or part of a movie before going to bed at midnight.  

Here’s the funny thing, even with all that?  I’m maybe the most productive I’ve ever been in my life.

The strangest thing about NOT being able to draw all that often is OBSESSING about it.  And for me, I can eliminate potential problems this way, or solve issues on a picture even before I’ve lifted the tablet up.  ”Man when I get to do this P-swap I’ll try this color scheme out” or “y’know what fonts’d look good here?”, etc, etc.  That’s not how everyone’s programmed, but for me it helps tremendously.

I’m pretty streamlined in how I work to, most of my methods are reflex now (everything from desktop layout, shortcut keys, photoshop actions and macros, general sequencing) so when I tell someone “stop fucking using 100 layers in photoshop” and get a bit pissed it’s because I DESPISE seeing people waste their time.  So many bad tutorials online…but I digress.

The other thing is, having done this for a little while I know my limitations, workload and schedule wise. Also, I don’t take on a project if I don’t want to.   I used to think I was lucky in that I can draw what I want, but that’s not exactly true.  I’m lucky that people will LET me draw what I want for them :D, especially with the musicians I work with.  I don’t need to take on a project I’m going to slug through because I need dirty cash money, and lack the enthusiasm to complete in a quick fashion, and the more people realize that the quicker they’ll be.  There’ nothing rewarding about that.  I’ll walk away rather than plead my case.  Not worth my time.

It’s difficult for me still because I am offered comic work pretty frequently, but constantly deny it because there is no way with my life now to commit to a full book.  This sucks, but again, it’s perspective and knowing limits.  Time invested vs reward, compared to web or music projects that I will have quadruple the exposure (and money) was a lesson I had to learn pretty rapidly these last 2 years.

So yeah, that’s how I do it.  Having an insanely awesome family life that I want to spend most of my time on AND being entertained AND working full time AND maintaining an art career takes a helluva lot of balancing, but I had to find what worked for me.  Really you just have to figure out what you can sacrifice.  I sold my Xbox 360 because it was a distraction (I have a PSP which I can put to sleep so it’s not NEARLY as bad…), but that’s me.  Playing the last Dead Rising game became less appealing to me than getting to work for 1up.  

You really have to figure out what time you DO have instead of what you DON’T have, and how to maximize every f’n minute of it.  There’s no other way to put it.  Sorry this got a bit more confessional then people probably wanted, but hopefully there’s something usable here. 

Comicraft New Year’s Sale

Just a heads up!  Comicraft is having a sale on New Year’s Day where all of their fonts are available for $20.13!  You will need to sign up to make a free account if you haven’t done so already.  I REALLY recommend their fonts, the characters are far deeper than some of the freebie comic sites out there and there’s ones you can only get from them that are pretty notable.

I’ll return soon and will have Manga Studio tips for peeps!